As we mentioned in a prior blog, the main idea of the original developer of the Color Booth exhibit was that young children learn through their senses, are most interested in themselves, and are actively engaged in looking at and understanding color in their life.
The exhibit was arranged so that the light, as it changed, affected the colors of the objects on the shelf and the colors of your clothes as you stood in the booth. The idea was to enable children to experience the effect of different colored light on themselves and their surroundings. This exhibit was marginally successful over the last 5 years, but our exhibit developer and the early childhood specialist had observed visitors interacting with it in very limited ways. When this particular exhibit came up in the exhibit observation/remediation list, they decided to conduct a series of observations of its use over time to see what was really happening. They created a chart to use with the time, objective observation of what actions visitors were taking, and a subjective observation about what they, as observers, thought was going on. This format allowed them to share their observations with the rest of the exhibit development team in an objective manner.
Here are some examples of the observations from a half hour period:
10:45 A preschool-aged girl enters the color booth. Her mom follows. She grabs a color pane and touches it. The light changes in the booth. She looks up. Mom looks up. They smile. Then they walk away.
10:45-10:49 A toddler-aged child walks in and touches a color pane. Mom follows her in and sits down. The light in the color booth changes. Mom looks up. The light changes again. The toddler looks up and points at the light. Mom says, "Yes, green." The light changes again and Mom says, "red." The child points up at the lights again. Mom picks up a color pane and child picks up a color pane. The light changes and they both look up. Then they walk away.
Subjective Observation: At the first light change the mother may have said something about the color to the child. I could not hear.
10:55 The same toddler is back in the color booth. She is standing in the color booth. She points up as the light changes. Mom sits down next to her. Mom picks up the blue color pane and holds it to her face. The child picks up the orange color pane and holds it to her face. They put the panes down and walk away.
10:55-10:57 Three preschool aged girls approach the coloring table (outside the color booth). One says, "hey, let's color." They all three sit down and begin to color. One of the girls stands up and presses buttons in the Color Garden (an exhibit nearby, where you can control the color change). She then goes back to the coloring table and sits down. Their adult with them asks, "Do you want to go to the air tunnel?" They answer in unison, "Yes," and leave the area.
Subjective Observation: I was waiting to see if there could be a connection between the color booth and the coloring table. Interest in the color garden appeared greater.
11:00 No activity
11:05 No activity
11:08 One of the boys in the light garden walked over to the color booth. He looks on the table. He walked over to the coloring table. Sat down and begins to color.
11: 10 No activity
Clearly, the color booth drew attention, but was not holding visitors' attention. The Early Childhood Specialist, who was conducting the observations made the following inferences:
Play appeared to be sustained in the color booth with adult facilitation.
Both adult and child noticed the light changing.
I saw no interaction with the mirror during this ½ hour observation.
The specialist continued observations on other days. We'll post more of the inferences and questions the team considered as the observations continued in future blog
Monday, September 11, 2006
Wednesday, September 6, 2006
Exhibit Remediation
At DuPage Children’s Museum, we continue to observe how exhibits are used even after the prototyping stage. Many museums use an evaluation system, with front-end (gathering information about what visitors know prior to developing an exhibit), formative (field-testing your exhibit or activity during development), and summative (finding out what visitors are actually getting out of it when the exhibit is on display) evaluation. Additionally, you can conduct remedial evaluation, where you are conducting summative evaluation with an eye to making change, if necessary. Our remedial evaluation program is conducted through a series of observations by our Early Childhood Specialist, and discussed with the exhibit development team.
One recent example of this exhibit remediation occurred with our Color Booth. This exhibit is a 3-sided, white laminate booth with a mirror inside. There is also a low shelf for colorful manipulative pieces and/or photos, and a color-change technology called “cycling color burst.” The main idea of the original developer of this exhibit was that young children learn through their senses and are most interested in themselves, and are actively engaged in looking at and understanding color in their life.
The exhibit was arranged so that the light, as it changed, affected the colors of the objects on the shelf and the colors of your clothes as you stood in the booth. You may have seen similar color booths around the country in science centers, but these tend to have one single color that creates a single dramatic effect. Their text and design are also often aimed at older children and adults. The idea here at DCM was to enable children to experience the effect of different colored light on themselves and their surroundings. We have been working with this for a while, and have found some interesting things. More on this in future blogs.
One recent example of this exhibit remediation occurred with our Color Booth. This exhibit is a 3-sided, white laminate booth with a mirror inside. There is also a low shelf for colorful manipulative pieces and/or photos, and a color-change technology called “cycling color burst.” The main idea of the original developer of this exhibit was that young children learn through their senses and are most interested in themselves, and are actively engaged in looking at and understanding color in their life.
The exhibit was arranged so that the light, as it changed, affected the colors of the objects on the shelf and the colors of your clothes as you stood in the booth. You may have seen similar color booths around the country in science centers, but these tend to have one single color that creates a single dramatic effect. Their text and design are also often aimed at older children and adults. The idea here at DCM was to enable children to experience the effect of different colored light on themselves and their surroundings. We have been working with this for a while, and have found some interesting things. More on this in future blogs.
Monday, July 24, 2006
Mission Moment: Open-ended Play
Today’s Mission Moment comes from a play facilitator who witnessed children working with our open-ended exhibits in a way that made sense to them, which is what open-ended and multiple-outcome experiences are all about!
“In Math Connections on the edge of Young Explorers there are “Pattern Blocks” that Velcro to the floor. I saw 3 children ages 4-7 using these to build vertically. They turned the blocks on their sides and built upwards. They were very careful and balanced the blocks perfectly so that all the shapes could be incorporated into the design. They built many different shapes and really engineered these buildings creatively! It was really terrific to see the connections of the way shapes form together going upward as well as horizontal (as they normally go). Great creativity and spatial skills.”
“In Math Connections on the edge of Young Explorers there are “Pattern Blocks” that Velcro to the floor. I saw 3 children ages 4-7 using these to build vertically. They turned the blocks on their sides and built upwards. They were very careful and balanced the blocks perfectly so that all the shapes could be incorporated into the design. They built many different shapes and really engineered these buildings creatively! It was really terrific to see the connections of the way shapes form together going upward as well as horizontal (as they normally go). Great creativity and spatial skills.”
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