Listening
to music can soothe, stimulate and even evoke emotion. However, there is
little conclusive evidence that suggests listening alone will enhance learning. The original research on the “Mozart effect”
indicated that there was a link between listening and smarts. Follow-up studies
have found that students listening to Mozart were more stimulated than those
listening to a relaxation tape or listening to nothing at all. While arousal has
been shown to improve learning, the effects can be fleeting (Science News,
2010).
Although
listening to Mozart alone will not enhance learning, there is a growing amount
of evidence that suggests playing a musical instrument can enhance skills that can
transfer to other academic areas. Nina Kraus, head of the Auditory Neuroscience
Laboratory at Northwestern
University, explains,
“There really is now so much evidence showing that musical experience has a
pervasive effect on how the nervous system gets molded and shaped throughout
our lifetimes.” Long-term studies now show evidence of lasting changes in brain
structure and activity as a result of instrumental music learning.
In
the long run, musical training appears to improve verbal as well as nonverbal
skills. It can help us to hear better, which allows for fine-tuning the ability
to separate sounds in a room full of noise. Musical training may also lead to
improvement in grammar, the ability to grasp meaning from words and to
distinguish a question from a command (Science News, 2010).
School of Rock & Family Fun at DCM |
Explore
more:
Nina
Kraus’ laboratory at Northwestern:
Daniel
J. Levitin. This is Your Brain on Music:
the Science of a Human Obsession. research.microsoft.com/apps/video/dl.aspx?id=104180
Resources:
Ehrenberg,
Rachel (2010). Science News, “Music
of the Hemispheres.”
Colwell,
C. & Humpal, M. (Eds.). Early Childhood and School Age Educational
Settings: Using Music to Maximize Learning. Effective
Clinical Practice in Music Therapy (pp. 110-119).
Cross,
I., Hallam, S. & Thaut, M. (Eds.). (2009).
The Oxford
Handbook of Music Psychology. New York: Oxford University
Press.
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